Showing posts with label Jonzu Jones. Show all posts
Showing posts with label Jonzu Jones. Show all posts

Saturday, December 12, 2020

meet Taylor Kelsaw of ...Taylor Kelsaw Management

 Instead of starting off with my praise and thanks to the internet gods I want to speak of the “DOTS” that I have collected through the innumerable people I have become friends with because of the net. My wish is to connect the “DOTS” on some level!


Such is the case of Taylor Kelsaw whose “DOT” was connected to Jonzu Jones whose “DOT” was connected to me via Instagram. Taylor represents one of the most evolving and topical subjects/aspects of the fashion business… yes that’s the common thread for connecting the “DOTS” if you will. Taylor is the captain of Taylor Kelsaw Management which is the new improved and all-inclusive iteration of what was once just a modeling agency. He does not command a collection of interchangeable faces based on age or body type.

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Having been in the fashion business for decades and even having had the experience to sit at the boards and book models from the agent side and the client side, I am now able to see what was once a very cut and dry simple business has morphed into a more formal corporate organization that is not only about go-sees, rates and books, questionable photographers, designers and brands.

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So, I decided that everyone should now read what it takes to be a model and what goes into being a modeling agent. While I’m not as generous in sentiment as Taylor about his take on social media nor his feelings about age but I find his generosity intriguing.

So, without further blather from me here he is offering us his insights on the 21st century version of what was once a model agency and of course about  himself as well!


 

Jeffrey Felner: Can you tell us how you arrived at this stage in your professional career?

Taylor Kelsaw: One day, at 16 years old, I was cast in a television commercial in my hometown in the California Bay Area. As a kid actor, it was my dream come true and several commercials followed. Years, later I moved to Hollywood and pounded the pavements in search of castings and work and suddenly it stopped, and I got nothing hence the dream crumbled. I took what was supposedly a temporary job that fortuitously turned into another career. I found myself at Sony Studios, copywriting and prize producing for the Jeopardy! (the TV show). This new career brought me so much success that I ended up utilizing my new skillset on numerous shows. I left that behind me and became the VP of a product placement marketing company which led to a consultancy for NBC.

 Ten years ago, we relocated to Michigan and I began to work in casting, lecturing and teaching acting. I noticed that some of my students were definitely model material so I began scouting them, submitted them to friends and agencies in NYC and LA and they got signed. I was soon told I should become a Mother Agency and it took off from there. 


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JF: Let’s discuss social media where everyone who holds a camera of any kind is suddenly a photographer and anyone who has ever had a photo taken of them is now a model; what’s the downside and the upside if there are any of this new wave of wannabes vs the real deal?

TK: At first, social media impacted and interrupted the careers of the established models because it opened up the doors of opportunity to almost everyone. Jobs and pay rates changed, dropped or simply disappeared. The supermodel became the past, and the hottest "real" person became the model du jour. What precipitated this change was the first slow, then rapid replacement of the dramatic and comedic television fare to reality TV which included the fashion world. A Real Housewife of any major city could be seen wearing designer fashions and exclusives and this changed the direction and vision of what motivated the consumer. Wall Street took notice and so did the rest of the world. Instagram, Twitter and YouTube made the boy or girl next door a celebrity ala the Cameron Dallas' influencers; marketing, PR agencies, and advertisers ran with it. Has the success of these individuals dissipated because the real estate is over sold?  I think so. The changes in platforms made it very easy for some who were already established and yet for those who waited, it didn't happen as quickly. The market is now packed with "would-be’s" and "wannabes." Everyone is a photographer, I photograph my models too, but I have also directed two television series, so I don't judge what others do because maybe they found their passion? The cell phone replaced the need for paid photo shoots with top photographers unless it was, in fact paid.  This has also resulted in photographers being very picky about what, who and where they will shoot. Covid-19 has complicated and altered “life” as it once was. TikTok, Only Fans and an assortment of apps are becoming the new social pages of instant and established "celebrity” but it's not the huge bounce that Facebook and IG experienced when they first began. I look at our coming decades to be even more of the "new normal" of what will be determined to be the "real deal". After all, it's all about what the buyer wants, and it always has been. I say deliver it and deliver it first and best!


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JF: Do you feel that the model agency functionality of the past has morphed into a talent management agency for a good reason? Do you believe that the modeling end of the business is losing a chunk of business by being so ageist and with so many middle men involved?

TK: I think the "middle man" approach of agencies like mine is more important in this time of "Me Too". Too many models, actors and other talents have experienced the shady side of the industry. Mother Agencies fully vet the photographers, and adjunct agencies who might have come under fire for questionable behavior. Still, modeling agencies have always had a hand in the talent world, because models are sent in for commercials and they need to speak and act. This was a scary time 30 years ago, but today, it is  part of the job description of being a model and it involves more training for them. Ageism is and will always be what it is because generations are impacted by new knowledge and it's the newest toy/cell phone/ Gameboy or whatever? The generation gap is not new, and it should be handled with the care that hasn't been popular because the average demographic of Social Media users is not the customer with the deep pockets to afford the fashion seen on the runways. That has changed due to instant popularity and influence. That said, we have models in their teens as well as in their 40s+, because it is how we set the example of what we know is the reality. 


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JF: If you could invite any 5 people to dinner who would they be and why?

TK: Great question, this one. I have thought about it, and my life has been fortunate because I have met a lot of people from Oprah to Nobel Prize winners. Today, I would like to enjoy the company of my hometown girl Kamala Harris, Anderson Cooper, Sidney Poitier, and Dr's Francis Arnold and Anthony Fauci…. All for the obvious reasons! 


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JF: With all these societal movements of the moment, do you find yourself being influenced/pressured by diversity such as race, nationality and even size and what is your feeling about that?

TK: As a university student, I was offered a firsthand education in the civil rights movement. I attended San Francisco State, and UC Berkeley, we were living and breathing the movement that still remains, but slowly it’s been pushed to the back burner because it wasn’t a hot button topic again until now. I am one those who has seen the lack of diversity and the abundance of it for those who live outside the United States. I look at the word "race" as part of the systemic issue of the problem on an international basis. Humans beings are all of the same race but possess different heritages, characteristics and ancestry…  the human race is the race I see. White privilege has been given permission to reveal its ugly self by those in power who think they can openly speak without the mask of being labeled offensive, bigoted or racist without any repercussions. When this is acceptable as it seems to have become, life takes a serious turn in how we view relationships. Race is not a word I use because it immediately separates and divides us. We are of our own particular heritages, and lineages, but only one race... the human race! We, are citizens of the world who need to educate ourselves, our progeny and future generations about the truths that have compelled this ignorance and permeate societal movements throughout history from Genghis Khan to the KKK.  In the fashion industry, it is still a major problem and thank goodness for Naomi Campbell, Edward Enninful and select others for speaking up about the inequality and unjust hiring practices that still exist in the world of fashion. The lack of diversity in promoting and exposing the many “faces” of fashion from the covers of major magazines, and brand campaigns still remains. We can do better.

 

www.instagram.com/taylorkelsawmgmt

Sunday, November 22, 2020

Allow me to introduce you to Jonzu Jones

 I know I have said this a bazillion times but I can never stop praising the internet for allowing me to expand my web, pun intended, of “friends” to include some of the most prestigious, gracious, intelligent, talented, beautiful and creative people in the world.

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 My latest addition, complements of Instagram, is Jonzu Jones! You might say ... who?  You might say what is a Jonzu?  But, all of your questions will be answered by reading this very articulately written interview.

 I am one of those weird people who use Instagram not only for visual stimulation but also as a search engine since I have this peculiar habit of actually reading the hashtags, following them and it is that little idiosyncrasy which leads me to people like Jonzu. Needless to say, the first thing that caught my eye was his incredible physicality and then via countless conversations…. I have to come to learn there is way more to this young man that just his outward appearance. He is a hive of talents and aspirations.


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That old adage about not judging a book   by its cover is particularly apt here as this man is so much more than just skin-deep beauty and yes, I am occasionally taken in by that beauty but this time I feel confident that I have made a friend who deserves attention both as model and stylist as you will see in his images.


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 So, now that I have gushed about him, he is going to tell you about his life, some of which is hard to believe, and then … well you’ll have to read all of it to find out more… and believe it or not ... this know it all namely,  ME, … actually learned something from what he had to say ….


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 Jeffrey Felner: Let’s talk about your career path... was this the plan? How did you arrive at your present working situation?

Jonzu Jones: I feel like my career is always taking twists and turns. I had a vague idea from young of what I wanted to do and it has always been in the realm of art and fashion. I am still learning and growing, figuring things out along the way and to be honest just winging it. I will say I had a distinct vision of the man I wanted to be and more and more I became this idealized version of myself that the 12-year-old drew up. Currently I am a freelance fashion stylist, which I’ve been doing for around 7 years and I’ve been lucky to work with some truly incredible artists during that time. Styling came about as a kind of extension of me wanting to be a designer. I studied fashion design in high school and college and for so long I truly believed that was my true innate calling. I may revisit design in the future but styling has really been my big passion. While studying design, I was assisting fashion editors and stylists for school credit and to mold my approach to design. After doing that for a bit and loving it, I branched off as a freelance stylist and the rest is history.


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My second career which is fairly new is being a model. I by no stretch of the imagination believed this could be me as an angsty teen. I was the weird kid most of my life and still in a lot of ways am that same kid. I grew up hating my body, uncomfortable in my skin, shy and awkward as fuck. I was content aiming to be unseen and more behind the scenes but still having a name. Being on set more and more as a stylist and dressing in my outlandish garb, I would on occasion get snapped by the photographer. These unexpected instances unlocked something in me and I guess deep within me was a craving to be in front of the camera more. This was short lived and after a 2 ½ year stint playing house wife, gaining 80 pounds, and losing a lot of confidence, I needed a reboot. After leaving my marriage at 24, I did a full visual reset, getting tatted, ripped from home using Thor’s (Chris Hemsworth) app Center, and jumping full on into modeling. Side note…  at this point I binge watched Top Model and was also religiously studying the model greats of the 80s to present times. While on set as a stylist I found myself studying models more than usual as well as photographers’ notes on poses. I am still figuring shit out as a model for sure but I’ve definitely learned a few tricks of the trade that have come in handy. The path continues and not sure where exactly it’s going to lead but I’m sure as hell having fun on this journey.


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JF: Do you or did you have any style or any type of mentors or those who continue to inspire or inspired you as you have matured and why them?

JJ: One of my biggest stylist inspirations is Patti Wilson**. She truly knows how to do avant-garde but also make it sexy, dark, and accessible.


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 JF: If you could invite any 5 people to dinner, who would they be and why?

JJ: Lady Gaga for sure. She’s a fellow Aires and I think we’d connect on weird and obscure references.Daphne Guinness because she is a major style icon for me and I need any excuse to roam her probably never-ending closet.Cody Fern because he’s a cutie and his personal style is pretty damn amazing.

If she were still alive, Edie Sedgwick because she really inspired me as a kid as being my glamour girl. It wasn’t Marilyn or Judy; it was Edie with the sickening Smokey eye. Someone not here anymore but David Bowie. Still a huge inspiration to me, visually and aesthetically.


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 JF: If you could choose any collaboration or situation, what would it be and why? would it be as model or stylist and why?

JJ: I would say to work with Steven Klein. His work is a huge inspiration to me and I pretty much reference at least 1 of his images in every shoot I do. In an ideal world I’d model for him with Patti Wilson styling me. She’s the one stylist whose decisions I’d never question.


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JF: Can you tell what was your most amazing experience doing what you do and what was the worst experience you encountered and why?

JJ: I think my most amazing experience so far was shooting with Robin Lord Taylor a few years ago. I’ve worked with quite a few celebs and high-profile people but I’m pretty much a comic geek and mega fan of Gotham. Robin’s character Penguin was one of my top 3 favorite characters on the show and having the opportunity randomly to work with him was so amazing. He also really rocked it on set!

Worst experience was working with a specific photographer whose name I shall not mention out of respect but that whole day ended up being a nightmare. His first words to the team was “I usually have a better team I work with normally” so that kind of set the bar for the shit show of that shoot. There’s was a moment where he chucked a pair of shoes because they were not Prada or luxury enough. Besides the fuckery of that day and being that it was a non-paying TFP shoot for a known NY magazine, he actually tried to sue me and a couple other team members from that day for copyright since we posted the final images in our portfolio. Twas messy indeed and in retrospect, I should have probably handled things differently at the time like packing up and getting the heck outta there. New, evolved, and candid me probably would have ripped him to shreds but I was younger and a lot nicer…. still nice but don’t take as much shit as I used to.


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 **Patti Wilson has worked with Steven Klein, Steven Miesel, Peter Lindeberg, Terry Richardson, and David LaChapelle to name a few. Styling for Italian Vogue, I-D, Numero, and L'Uomo Vogue all of which have had an important impact on the fashion world over the past decade. Patti continues to collaborate with the most influential designers and is recognized worldwide for her eclectic taste and continuous capacity to provide her clients such as Giorgio Armani, Dolce & Gabbana, Moschino, Christian Lacroix, Valentino.