Showing posts with label Michael Vollbracht. Show all posts
Showing posts with label Michael Vollbracht. Show all posts

Monday, May 2, 2016

Meet Michael Vollbracht ... living legend of fashion



“Brevity is the soul of wit” said William Shakespeare


Michael Vollbracht is one of those designers who has achieved great notoriety and recognition on a multilevel platform. This is a designer’s designer who trained with Beene, collaborated with Henri Bendel (when it was the go to destination of the uber chic), went on to design one of the most emblematic and ubiquitous symbols of life in New York City (the Bloomingdales “face” shopping bag), then to his groundbreaking eponymous collection and then his final bow on Seventh Avenue at the helm of Bill Blass. Today Vollbracht utilizes his skills within the worlds of painting and illustration with side gigs that satisfy him strictly on a creative level.

 
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In today’s world, there is no question, that he is considered an iconoclast or maverick or maybe both but most of all he is an artist and one of the few who just did it; he defied, he actually designed and most off all he needed no trend to follow and yet achieved that covetous white light on an international stage for his brilliant works, whether on cloth, paper or canvas.

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These days he is Michael Vollbracht, as he is known today minus the “e,” the artist who continues to turn out his paintings and illustrations while retaining his own particular point of view. When it comes to the oeuvre of his lifetime thus far, he is unquestionably a designer who proved that fashion is an art form and that he is most fluent in the language of art, fashion and style.

 
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“Brevity is a great charm of eloquence” said Marcus Tullius Cicero


Jeffrey Felner: If you could invite any 5 people to dinner who would they be and why?

Michael Vollbracht: Mary Todd Lincoln, Marie Antoinette, Cleopatra, Amelia Earhart and Thelma Todd since I like a tragic ending

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JF: You have always been an artist at heart, what made you go into fashion and why did you leave it?
MV: Fashion is my passion. I didn't leave it; it left me

 
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JF: You were “artist in residence” so to speak at Safety Harbor Spa for a while; can you speak to your time there as to why and what you do you feel you accomplished during that time?
MV: Bad time, I had the silly idea that I could turn a third-rate spa into something special. Alas, it was sold to a family I didn't get along with and so it was bye bye spa.

 
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JF: What was your favorite project and why and if you could do a collaboration today, who would it be with and why?
MV: The one I'm doing today. I'm designing a "drag show" for Equality Florida in St. Pete...I'm mixing straight, gay, black, white, male and female all to help my "family."  During these scary times...Boycott Mississippi  anyone? 5 watch Project Runway...I don't know if fashion school works today  as students want instant fame and not to learn how to feather - stitch a collar.

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JF: What would be your advice to any up and coming or student designer and why?  Care to share what was the advice you ever received and from whom and why you consider it so valuable?
MV: Norman Norell once turned to me... (While we were working on his retrospective to be shown at the Met) and said "It's all bullshit" and that’s what I would tell all students of fashion.
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Friday, May 10, 2013

Illustrating fashion ..part 3 .. the finale


On the last day of this 3 part series, we come full circle and show off those artists/illustrators who, well, illustrate fashion; Fashion as in clothes, brands and retailers that manufacture, sell or advertise clothes.  I am hoping that in today’s world of sameness, the art of fashion illustration will be making a long awaited comeback as an alternative to just another moody, provocative or erotically charged photograph …  you the know the ones you  see every day in every popular upscale so called fashion magazine … no names.  My own observation here is that the pioneers of this art should be given far greater credit for the global rise of fashion as much more than just an emerging tertiary business.  I salute all of you… past and present and future … I thank all of you for sharing with us your immense talents.

This series of posts can only be described as a runaway train!  The enthusiasm of these artists/illustrators coupled with their respective bodies of work have forced me to extend the topic beyond a single posting.  My aim is to educate, enlighten and excite the reader.  Every reader should be keenly aware of all of these talents and what they offer when it comes to fashion landscape.  Each day another approach will be taken in order to offer the broadest of views with regard to what we commoners refer to so simply as “fashion illustration.”  I am very excited about the series as well as flattered and awed by the overwhelming acceptance and grace that was offered during the “collecting” process.

Having grown up in a time when newspapers were in black and white and most fashion advertising in them was done via illustration rather than photo, illustrators have always captured my imagination.  It is of constant amazement and I stand in awe of those who are so ably and abundantly talented to convey a particular vision of fashion by using one’s signature technique and talents.

This feeling, combined with just having read and reviewed Tony Glenville’s marvelous volume on fashion illustration, spurred or reignited my interest in the subject.  Mr. Glenville was kind enough to contribute a quote for this article which pretty must speaks for itself and everyone who appreciates the art form...

I guess the thing is.....How wonderful to see a craft which was written off by many, in the 60's and 70's especially, now enjoying a renaissance. The joy of seeing classic and modern techniques; often combined, an extraordinary range of styles and attitudes demonstrating the magic of line and shadow in fashion illustration in the 21st century. Fashion Illustration still has the ability to enchant and delight.

With this in mind,  it occurred to me that there are so many wildly talented people out there who may not have not have been given  proper recognition or who might be “working” yet remain unknown to so many and so I have culled my “friendships” and come up with a glittering  roster of talent for your viewing pleasure.  The common thread I employed here is how these artists see icons, luminaries or legends of fashion.

Every one of these brilliantly talented artists can be found on their respective websites and every one of them can accomplish the impossible utilizing their well-honed skills of illustration.  The employed mediums are varied and the overall final products are stunning and arresting in their own individual ways.

I have also taken the liberty of pointing out some of the greatest and legendary of illustrators who have either left us their legacies or have moved on to other creative endeavors or mediums.  Each one of them had a recognizable signature and technique that revolutionized the world of fashion and advertising.

This article will be presented in several segments as so many of these prolific artists have offered me their archive and I would be foolish not to share it with everyone; stay tuned for the next couple of days and hopefully  I can open you’re your eyes to the talented artists and their talents!

Contributors include: Marc Antoine Coulon, Mel Odom, Richard Haines, Dan Romer, Joel Woodard, Mitja Bokum, Chuck Nitzberg, Marco Santaniello, Tim Otte, Gladys Perint Palmer, Maurizio Andreuccetti,  Paul B. Elsen, Sue Tait Porcaro, Glen Hanson, Jaff Noel Seijas,  George Stavrinos, Rene Gruau, Antonio Lopez, Michael Vollbracht, Mats Gustafson, Kenneth Paul Block, Joe Eula, J.C. Leyendecker, Tony Viramontes and Barbara Pearlman.

 

***** New Icons of Fashion Illustration by Tony Glenville... April 2013