Showing posts with label createurs. Show all posts
Showing posts with label createurs. Show all posts

Thursday, April 9, 2020

meet Erick Monterrosa: photographer extraordinaire


CELEBRATE: to honor especially by solemn ceremonies or by refraining from ordinary business, b: to mark (something, such as an anniversary) by festivities or other deviation from routine and 3: to hold up or play up for public notice 
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The the solemn ceremony here is photography and the rasion d’etre for the celebration is the human male form. In my opinion, you couldn’t find many who would disagree that Mr. Monterrosa quite literally celebrates the male form with more finesse, skill and taste than so many that we encounter on social media platforms ….  He leaves them in a trail of dust.
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His is not the work of a “snapshot photographer” … he is quite literally an artist whose tools are his camera, his lighting, his setup and his taste level for exhibiting the exquisite attributes of beautiful men.
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Today, much to my utter delight, Erick has offered his own insights into his private life and his profession … but if you do the math (there are about 250-275 words on a typewritten page) then here is a 130 page volume that proves what I’ve just stated.
 
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Jeffrey Felner: How would you say the internet and social media, especially Instagram, have affected the world of photography and how far to push the envelope?



Erick Monterrosa: I wouldn't be the photographer I am today without the internet. More than 30 years ago, art was exclusive to the upper classes. Magazine powerhouses like Vogue, Elle, Vanity Fair, etc., played a major role in exposing first world countries to the works of top ranked photographers, such as Meisel, Avedon or Demarchelier. However, third world country boys like me didn't have access to these publications. They were either too expensive, or their distribution was simply nonexistent. It was the internet that built a bridge between art and the masses. I no longer needed to pay for a printed magazine in order to gather inspiration; I now do this from home through social media. This is why I treat my Instagram feed as an online gallery. I want my audience to have that sort of experience whenever they click on my account. I feel small creators like me are more empowered than ever thanks to the internet. I wouldn't say I don't love the idea of my work being at an art gallery, however it's no longer a prerequisite to be successful. 
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 JB: Much has been written about creatives who have a signature look; would you say you have one? Want one? … and how would you best describe yours? 


ER: I definitely think I have a signature style, which has taken me years to develop and yet it is constantly evolving. I'm inspired by eroticism and the human body. My photography goes around three key elements, which I call my holy trinity: art, fashion and sex. The images I create lie somewhere within this spectrum, as I avoid falling into one single genre. I always joke about my work being too pornographic to be fashionable, too fashionable to be artistic and yet too artistic to be pornographic.
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JF: If you could invite any 5 people to dinner who would they be and why?


ER: I don't know if I could invite 5 people, I admire at the same time hahaha. I would rather focus on just one, so I get the best out of the experience. No other name comes to my mind but top model Coco Rocha. As soon as I knew the existence of the fashion industry, I was exposed to her covers, editorials and behind-the-scene videos. I was so impressed, not only by her looks but her ability to pose in very dramatically. Later on, I found out she was a Jehovah’s witness which led her to avoid posing nude in front of the camera. This is groundbreaking, as models are expected to show their bodies if the concept requires it. The way she managed to get so big in the industry without sacrificing her values inspired me to stick to my gut, even when my values are quite the opposite of hers. I'm not religious and I'm all about nudity. 
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JF: What would you say has been your most rewarding or fulfilling accomplishment/s to date and why?


ER: My biggest accomplishment has been my ability to be supported by my art, which is something I was told would never happen. I'm far from rich, but money isn't really my drive. I feel accomplished just by waking up every day knowing I'm doing what makes me the happiest.
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JF: If you could “rewrite” your career path … how would you change it and why? Or how did you decide that this is your career path and why?


ER: I rarely regret things in my life, but I wish I had moved to Europe at an early age to have proper photography training. I have a business degree, which I pursued because I had no art related options back in my country Nicaragua. I was never a business person, but a frustrated artist. It took me a while to come to this realization. Where I come from, art is a joke, thus doing what I loved the most was perceived by my family and peers as a phase; something a young immature boy would do just to have fun. In college, I worked as an event photographer and that's when I realized photography gave me purpose. Suddenly, it became part of my identity. Till this date, I'm fighting to get proper education. It's a personal goal of mine, even when many tell me I don't need it. find him also on his website.... www.behance.net/monterrosa31fe
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Friday, January 26, 2018

Haute Couture spring 2018.. observations



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Audacity is a prerequisite of couture. The workmanship, the fantasy, the challenge, the insanity, the almost faux raison d’etre of it all but it is why we “spectate & salivate!” It is the witnessing of the most unimaginable come to life. We salivate for the craftsmanship, ornamentation and construction; it’s fashion at its most libidinous. 
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Sadly, there are many designers who seem to think there is a necessary narrative that comes with these clothes but alas as I have previously written, these clothes aren’t sold with romance cards that explain their existence. They are just are over the top, maybe even very simple to the eye, wildly expensive and sold in a direct to consumer situation situation… no middleman, no stores no merchandisers, just Maison and client.
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In my opinion, houses such as Dior have diluted the haute couture by employing designers who have no skillset other than to run their mouths. They offer blah blah blah and all this faux intelligence and prattle and all you get is a collection that only makes sense in the head of the designer and those who are paid to fawn, regurgitate and obey.


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The most intriguing is what each designer may stand for... signatures... clothes for the sake of clothes hold not much allure especially since RTW has become “a me too” kind of situation rather than one that engenders individuality and an individual signature. Let me clarify by saying that individuality is not defined as the most outrageous one can imagine.
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In couture you have designers known for structure, for fabrication, for ornamentation for overall finish, dowdy, young, sexy etc... The ones you can pick out from the crowd are the ones to watch. Not every collection is stand out from start to finish but there still remains huge talent and of course aspiration. This is a representation of pieces from a collection of designers who may not receive the bought and paid for praise and accolades of the big names but they are the ones who keep couture alive in its purest sense and on so many levels. They are the AUDACIOUS