Showing posts with label VERSACE. Show all posts
Showing posts with label VERSACE. Show all posts

Friday, February 25, 2022

Versace women’s fall 2022

Where to start? Yes, there is tailoring, yes, there is color, and then it all just goes awry into forced sexiness. Skintight tube skirts and dresses, that “boned” midriff detail and that U shaped vest or whatever it is that seems to appear far too many times in far too many iterations. Lest I forget those club foot stilettos, the ghoulish makeup and the barely their lengths of so many pieces.

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Looking at these images several times I came realize that the underpinnings killed many of the outfits as well as the proportions of so many more. No need for more puffers, no need of oversized boyfriend jackets/coats, no need for endless latex leggings on so many but what is needed is an editor’s pencil and more adherence to brand’s original DNA and not the DNA forged by La Signora; the difference being hers is blatant bordering on tasteless while Gianni’s was seductive and polished.

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Sad that there are still tee shirts with verbiage on them STILL, sad that there are entire logo pieces STILL and sadder not to realize that now was the time to dial it down a notch or two as things have changed, people have changed and life has changed but apparently not chez Versace. Apparently, streetwear lives on at via Gesu! She managed to import so many of the ill-conceived looks of London and New York and brought them the Milan runway.

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Just have a look at the way she looks and suddenly there appears the answers to many if not all of my questions!

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Thursday, February 3, 2022

Versace men’s fall 2022

And so sayeth the sage Donatellamamamia” It represents a next step and a move forward, not focusing on the singular but on multiplicity, progression, and diversity—exactly what I see valued by the new generation and the way they express their masculinity in so many refreshing ways.” And the reviewer says “Versace mixes deceptively casual swagger, powerful sex appeal, and unabashed glamour.” Sadly, the film is far more interesting and intuitive than the images! Oh, and WTF is she talking about?

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Having owned and worn wardrobes of Versace over the years, I can honestly say there is extremely little that I relate to in what was shown here. Gianni really brought sexy to menswear with wonderful tailoring, pitch perfect palettes, and just the right amount of daring and that was before the scarf prints.

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This runway presentation is boring and sloppy save a for a few exits at the end that were nothing to write home about but were more reminiscent of the Versace that Gianni offered so many years ago. Except for the palette it was boring, repetitive and just plain sloppy. Where is the slick? where is the sexy? Where is the precision that Gianni offered? If she thinks this collection smarts of the original incarnation, then I must have been buying and wearing Johnny Verace!

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Back to the beginning. La Signora needs to get real, and the reviewer needs to actually look back at the actual clothes that Gianni designed. Wearing a bomber over a tailored jacket doesn’t make it trendy nor do screaming colored argyles, satin topcoats and leopard prints.

Friday, September 24, 2021

VERSACE SPRING 2022

Immediately after Gianni’s demise Donatellamamamia said I AM NOT A DESIGNER! By golly, she certainly knew her fate because she shames her late brother by attaching his name and legacy to collections like this one and so many before.

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So, what do we have here: a few nice black dresses with scarf insets and embellishments, a few nicely tailored suits, a lot of hookerish looking pieces that serve no purpose in anyone’s life, tons of chainmail, lots of ugly shoes and hoo ha we have Dua Lupa! Maybe she comes to sell the clothes in all the boutiques!

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Kindly note I refrain from mentioning the menswear having been a HUGE Versace customer personally and there isn’t one thing that even offers a glimmer of desire in this category.

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Yes, we had lots of color, some pieces that might have been jackets and the shortest dresses around that guarantee the wearer to get lucky quick. There is a vast difference between a call girl and a nickel a blow job hooker under the highway. There is no remnant of the slick sexy razor-sharp Versace that existed during his reign; it’s been tossed aside or possibly totally forgotten.

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Oh and that tee short which showed up far too many times should have read Versace Nightmares!

Tuesday, June 15, 2021

Versace resort 2022

Ponder this if you will... if Karl Lagerfeld, Jeremy Scott, Liz Claiborne, Vivienne Westwood and Donatellamamamia took LSD and designed a collection it might look something like this. I duly note that apparently the demographic of the Versace clientele must have gotten considerably younger with a taste for cartoonish clothes and much much richer.

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There is noting subtle about it, nothing sexy about it other than blatantly purposely intended to be and clearly wants to attract the vertically challenged. In essence WTF is this shit? Even the palette is offensive and yes people want “happy” clothes but that doesn’t mean they want to be the brunt of a joke!

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So, no matter what the blah blah blah that surrounds this, I find it offensive to the heritage brand, an insult to her brother’s name and just plain fugly!

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Friday, September 25, 2020

VERSACE SPRING 2021

 So here is my conundrum with this collection… I think Donatellamamamia got the vibe right and possibly even hit the mark with some of the clothes BUT … and I emphasize BUT… it was by mistake.

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You could be Carmen Miranda in your Flying Down to Rio skirt or some naughty slut girl in your Carol Baker Baby Doll dress but then I realized that the star fish pattern is derived from some very serious fine jewelry as does the embroidery (yes, I’ve been reading a lot of jewelry books lately). Looking even more closely was the added attraction of the shoes which were a fashion statement to embolden each look and then I knew she took this seriously!... don’t ask about the hair I haven’t a clue!


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What could have been a very tongue in cheek and … well cheeky collection was presented with a far too serious intent and lots of jiggling boob.  Even the tailored jackets looked right but as PIECES not as outfits ands then take into account the sheer amount of dresses which certainly led me to believe she wasn’t giggling when this was designed and that’s the pity of it.


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Of course it was total over kill, but no more than let’s say Dolce &  Gabbana, except like I’ve pointed out... one came off joyful while the other came off as a serious no  holds barred collection as if to ignore the world’s pandemic state,  and I know you can say that doesn’t mean that all clothes need to be dreary or look like sweats  but there is a tone deafness when a collection  looks like nothing has changed and  we are  all free to go and do as we please anywhere anytime.


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Monday, July 20, 2020

Versace resort 2021



WARNING!!!

SOME MAY FIND THIS POLITICALLY INCORRECT/OFFENSIVE…. BUT, accurate. so save your scolding
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Yo yo yo!!!

Whaddup?????
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It’s da shit!

Takin’ it to da streets!
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Gianni is spinning like a top in his grave…. It's like  Jeremy Scott took LSD  and they set him loose in the Versace design room to create the skateboard collection .. as for the women’s... simply WHY?
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Saturday, February 22, 2020

VERSACE fall 2020


With nearly 100 exits, I find myself at odds with what to write since there is really nothing to write about but I did seem to find this piece from one brave editor from one of our supposed fashion bibles which seems to sum it all up nicely:
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Versace has had a banner season — nearly breaking the Internet with the last women’s runway show by sending out Jennifer Lopez in (almost) the same jungle-print gown she wore to the 2000 Grammys, then outfitting new-gen voluptuous beauty Lizzo as a Hollywood goddess for the Oscars earlier this month.
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But on the runway Friday night, there were no star turns other than Donatella herself, projected Warholian-style in repeating portraits on the digital video screen spanning the 40-meter runway. She may still be the figurehead, but there’s no denying the house of Versace has changed under Capri Holdings: it’s less about charting new design territory, and more about repackaging greatest hits, with a few updates for the changing times. Having tackled age inclusivity (thank you, Nineties supermodels and J.Lo) in September, this season, it was on to gender. “Today’s generation does not care about gender…there’s no female or male,” the designer said during a preshow press conference of her decision to take her show coed. That was after she opened with a few choice words about the horrific rise in hate crimes around the world: “What happened in Germany a few days ago is almost the last drop, I mean, we need to act and to be fast and we cannot permit young people to think that going back to the past, to the horror of the past is a good thing.” You could feel the passion in her voice. Less so in the collection, which seemed to favor commerciality over conviction. Versace, like Miuccia Prada and Silvia Venturini Fendi this week, said she set out to explore power and sensuality. But this was not a deep dive into gender and sexuality so much as a surface skimming. This despite the fact that Gianni Versace was one of the first designers to come out in the Nineties, Donatella is a gay icon, Billy Porter and other pioneering celebs have been busting gender-fashion norms, and now more than ever, consumers seem to want brands to engage. It felt like a missed opportunity to say more. 
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This might be an object lesson of 'be careful what you wish for'…. At least the Versace clan is richer for it but poor Gianni is spinning!