Showing posts with label seventh avenue. Show all posts
Showing posts with label seventh avenue. Show all posts

Monday, September 10, 2018

Prabal Gurung et al. spring 2019


This is a collection that is emblematic of what is happening on Seventh Avenue. Apparently many designers have decided it is a wise move to grow their businesses by making a segue into menswear………………..wrong!
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The men’s market is equally at sea and as saturated as the women’s if not even more so stuck for newness. Most of these designers will probably never produce the menswear but oh the Instagarmmers! The influencers? The selfies? The swag! All for likes which I have yet to see what that translates to.
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My assessment of this particular collection … well it was colorful! I needn’t go further; you already know the rest of the story
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Why do I next envision all stores will only have leased shop in shops and no more specific men’s and women’s departments just stores full of clothes … sort of all like all gender restrooms!
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Monday, January 29, 2018

Jeffrey Banks talks Norman Norell



There are not many people in one’s professional life that can be counted as both friend and colleague for extended periods of time but that is not the case when it comes to this gentleman and I stress gentleman!
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My first encounter with him was some 40 years when, I’m guessing we were both sort of kids starting out in the business of fashion. Sometimes there are those who are never forgotten not because of anything other than their demeanor, kindness and talents; such is the case with one Jeffrey Banks.

Skip a few decades and we became friendly again through the magic of social media after both of us had taken somewhat divergent paths, he became an author and continued his journey in the menswear business while I was off and running trying my hand at anything from being a buyer to designing Miriam Haskell to designing table clocks for Timex.
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Long story short, here we are on the precipice of the release of one the great books of 2018... NORELL: Master of American Fashion which drops in stores within the next few days and followed by an exhibit at the FIT museum. What better time for he and I to speak a bit of what was and more to the point of what is quite literally days away.
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Here in his own words is my friend Jeffrey Banks…..


Jeffrey Felner: For those who might not be familiar with your many talents, would you give us a brief resume of your accomplishments up to this point?  



Jeffrey Banks: I have designed menswear, womenswear, children's, and now, home decor for HSN. I have won numerous awards including 2 Coty Awards and I have just finished my 5th Book. The others being, TARTAN: Romancing the Plaid, PREPPY: Cultivating Ivy Style, PERRY ELLIS: An American Original, and PATRICIA UNDERWOOD: The Way You Wear Your Hat.
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JB:To date this is your 5th book (Norell: Master of American Fashion) … what prompted you to choose one of the great pioneers of American fashion?



JB: Norman Norell was one of the reasons I wanted to become a designer as a child. His pure classicism and elegant lines really spoke to me, and I was shocked that outside of his inclusion in a couple of anthologies on fashion, there had never been a book written solely about him. He simply changed the way American fashion was viewed on the world stage! And he raised the bar for quality in American ready to wear manufacturing.
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JF: If you could invite any 5 people to dinner who would they be and why



 JB: Obviously Norman Norell  ( I'd love his take on fashion today ), Cary Grant ( I'd think he'd be so interesting to chat with ) Irene Mayer Selznick ( she grew up in Hollywood when the streets were still not all paved ), Hubert de Givenchy  ( a Master of his métier ) and of course, Audrey Hepburn ( do you even need to ask ?. If I could just have one more, I’d have the brilliant George Gershwin (who doesn't love a Gershwin song!) while dining.
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JF: As if the book release isn’t exciting enough, you are also curating an exhibit at F.I.T. featuring Norell’s body of work.  (February 9th thru April 14th). Can you tell us about the show and how you amassed these pieces and what made the grade and didn’t?



 JB: Working with the amazing team at FIT headed by Patricia Mears has been a real joy and they have given me tremendous freedom.  The hardest part is that because of Norell's 5 decade career, many of the earlier items are not available or are just too fragile to exhibit , That said,  the biggest focus in the show is on his clothing from 1960 to 1972. I firmly believe he was at the top of his game during those years and at his most creative. I think this is because at the age of 60 he finally had total financial control of Norman Norell New York, and it just gave him copious amounts of creative energy. FIT has amassed a beautiful collection of close to 300 Norells, and I had the great fortune of meeting designer Kenneth Pool, who is even a more rabid Norell fan than me. He has over 100 top rate Norell pieces in his collection and has generously loaned us many for the show. Although Norell did many beautiful little black dresses, they are very difficult to light properly so we have tried where possible to focus on color, which fortunately he loved very much too!
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JF: Addressing both book and exhibit … Can you speak to the high points and the disappointments of both and why?



JB: As far as the book is concerned, I regret that I was unable to interview Bill Cunningham, Bernadine Morris, Yvonne Presser and Gillis McGill. They all knew Norell well, and it would have been wonderful to get their thoughts on him. Also, as you know, securing the rights to certain photographer’s pictures is a very expensive thing, and, as it is I have put thousands of my own money into this book. I wished that I had even more money to spend. As far as the exhibition is concerned, if I had my druthers, the exhibition would have 500 pieces! But as a curator one has to learn to edit (not unlike a good designer) to the distillation and essence of the great Norell's work. I was also very fortunate that FIT was very eager to revisit the subject of Norell with this exhibit. Valerie Steele at FIT had done a very small show. (Consisting of one client's Norell’s) as it turned out, it was Valerie's very first show and obviously, she and the Museum have learned a lot in the ensuing years.
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www.nyjournalofbooks.com/book-review/norell-master

****** excerpt from WWD …. The rest is found in the book !!
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Known for his sleek, sophisticated American glamour, Norman Norell will be the subject of an upcoming exhibition, “Norell: Dean of American Fashion” at The Museum at the Fashion Institute of Technology from Feb. 9 though April 14.

The designer died in 1972 at the age of 72.



Approximately 100 Norell ensembles and accessories from the Museum of FIT’s permanent collection, as well as objects borrowed from the private collection of Kenneth Pool, will be displayed. The exhibition is organized by Patricia Mears, the Museum of FIT’s deputy director, and designer Jeffrey Banks, guest curator.



The centerpiece of the exhibition features Norell’s eveningwear, which was known for its clean lines and comfort. Some of his designs had dramatically plunging necklines and were embellished with sable trim or jeweled buttons. His work is best exemplified by his glittering “mermaid” gowns frosted with thousands of hand-sewn sequins. The base of these form-fitting evening gowns was knitted jersey.



His designs attracted an A-list clientele that included Lauren Bacall, Babe Paley, Jacqueline Kennedy, Lena Horne, Dinah Shore, Marilyn Monroe and Lady Bird Johnson.

Norell was born Norman David Levinson in Noblesville, Ind., on April 20, 1900. hroughout his career, Norell won numerous industry accolades including the Neiman Marcus Award for Distinguished Service in the Field of Fashion in 1942; Coty American Fashion Critics’ awards in 1943, 1951, 1956, 1958 and 1966, and Parsons medal for distinguished achievement in 1956. In 1965, he was elected the second president of the Council of Fashion Designers of America.

Norell was the subject of a retrospective organized at the Metropolitan Museum of Art in 1972, but was unable to attend the gala dinner in his honor because he had suffered a stroke the day before, and died 10 days after the opening.

The Museum at FIT exhibition is accompanied by a book entitled, “Norell: Master of American Fashion,” written by Banks and Doria de La Chapelle. It is published by Rizzoli.


Monday, September 5, 2016

Leo Narducci.. meet a living legend of fashion



As a bit of an introduction and as a lead in to the start of Spring “17 fashion week in NYC, let me restate what I had written of another designer:  “At one time, somewhere around the mid to late 60s, designers came out from the backrooms (behind the showrooms) on Seventh Avenue and became personalities in their own right. Designers such as Bill Blass, Anne Klein, Leo Narducci, Donald Brooks and Stan Herman are a few of the names that come to mind and fit the bill. They were employed by labels which hitherto never had a marquee designer attached to the label.” It was a time when there was an oft used phrase heard in and around 498, 530 and 550... “Can we get up there?”
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Leo Narducci was the innovator, the handsome young man who emerged from the sample rooms and became a vital symbol of the New York fashion scene. He was young, he was hot, he was full of personality, he had talent to spare and he gave women the clothes that they wanted to wear. He wasn’t about structure or uptight but rather about fluidity, ease, prints and this sort of laid back glamour that had been as rare as hen’s teeth on Seventh Avenue. He was the new breed of designer!
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I am fortunate enough to call Leo a friend as he and I have a connection, albeit it is one that lived only in my own head for many years. I grew up with his name indelibly etched into my mind because Leo “provided” my mother with one of her most prized possessions as well dressing her for one of the milestones of her abbreviated life. When Leo and I finally met so many years later, I was suddenly reminded of the magic times and people that I was privy to know while growing up in the rarefied air  around Seventh Avenue. At this stage in life I am actually humbled by the friendships that I have made with some of these great legends of fashion. You know, the ones who started it all on Seventh Avenue, the ones who made the rest of the world sit up and take notice and yes the ones who paved the way for all of us!
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Leo remains an enduring presence in the world of fashion whether it is at the Rhode Island School of Design or working on any of his own design projects. He has, like few others, withstood the test of time in a business where ladies and gentlemen are scarce commodities. It’s my honor to have been able to chat with Leo for this interview and it is one of my great personal badges of honor  to call him friend ... my mother would be so impressed and yes Adele, “ we can go up anytime!”
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Jeffrey Felner: if you were still competing in the fashion world today, what would be your take on the general tone and feeling of your collection and why?
Leo Narducci: Interesting question I never felt that I was competing, but  always did my own thing….the only times I tripped myself was when I tried to be on trend…I was at my best when I followed my own instincts which leaned toward classic looks with my own twist…… Going forward, I will not be doing collections in the traditional way…Everything will be with E-commerce in mind with concentration on Key items, which will be my best ideas for the particular theme…i.e. Travel……this will be an assortment of easy care and easy wear pieces that are modern simple, and chic…..pieces that can go to work, or the beach or out to dinner.
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 JF: who in your opinion epitomized or epitomizes the height of fashion and why? In other words who brought or brings the most to the table?
LN: I love to watch the collections online….Standouts to me are consistently good collections like Karl Lagerfeld…….I think that Marc Jacobs has put American design on the international map and his time in Europe helped him grow….He’s not afraid to make references to other designers’ work …His ode to St Laurent and the 70’s was brilliant and he made it all look chic and contemporary.. 
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JF: looking back, can you speak to the past and present of the state of the fashion business?
LN: The business has changed but needs to evolve rather than have pie in the sky hopes.…We have a hodgepodge of stuff which is labeled “Fashion” some good, some bad, and some awful…..It used to be much more selective…too much emphasis on celebrity.
The young designers today do not always give themselves time to grow and mature…The project Runway mentality prevails and is not a good barometer of what the Fashion business is all about.  We all seem to be looking for the new normal.  It breaks me up when all the talk is all about bringing the Industry back to the US…..Ralph makes headlines when he announces that x% of his collection will be made here. Really????
In my eyes, we are in a global business now and should be concentrating on what our participation should be in the big picture which should most certainly include some portion made in America.
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JF: dinner for 6 including you... who do you invite... no matter the time frame... anyone at all... and why?
LN: Hmmmmm my best friend, Patti Cappalli Taylor…we’ve been friends since our college days at RISD and speak to each other at least once a week ….We’ve shared our ups and downs for over 50 years!! And besides she knows how to keep things interesting and lively...Definitely my late partner, Ed Diamond who was the handsomest man I ever knew and was by far the love of my life….He had the heartiest laugh in the world. The late Joan Rivers who I never knew but I always liked the fact that, aside of her talent as a comic, she seemed genuinely nice… To me she was my role model of aging with style. My Lord Jesus Christ who has been a strong force in my life through thick and thin, especially in the past few years….it would be interesting to hear his take on everything directly. My young friend Grey Kammerrer who I mentor…He keeps me on my toes and it is a pleasure to pass on my knowledge and experience and I continue my own creative journey with and through him.
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JF: if you could rewrite your history what would you change and why?
LN: It is what it is…..I believe that there is a plan and it can’t be changed.
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