Showing posts with label fall couture 2022. Show all posts
Showing posts with label fall couture 2022. Show all posts

Friday, July 16, 2021

Valentino couture 2021

At first glance I was completely taken in but the color explosion which certainly was a welcomed sight this season but then the reality set it...the color palette looked like pantone book exploding and the clothes suddenly looked far more like ready to wear than couture.

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These is no doubt that the clothes that bear the label are impeccably made and should be at those prices but when you take a second look you see this is just another pile of clothes. Once upon a time a designer used couture as a hint or launch pad of what was to come for ready to wear that was soon to follow but in this instance where’s the difference?  Shows and their collections had a beginning, daytime, a middle, cocktail, and an end evening... they had a signature they were promoting whether it be a shape, an accessory, a pattern, a skirt length ...in general, a look. Well tell me what’s the look here other than a jumble of colors that even a goat would be attracted to.

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Phillips Treacy’s man of war feathered hats and a second skin LBD have nothing in common with high referenced YSL (shapes and patterns) or Cardin and more or moomoos. Yet that hat was the only thread that held this so called collection together. It was long, short, slim, loose, shapeless, second skin with little to no embellishment except sequins which can be bought by the yard.

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In essence what makes this couture ... what makes this a collection... where is the cohesion and what differentiates this from ready to wear? It would be far more entrancing to go back to the archive and bring back some of masterpieces that made the brand a juggernaut in the fashion world.

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So let the fashion media use up their collective supply of depends but be smarter and think about what I’ve written here!

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PS... wardrobe call ... Belle Watling and Divine ... fitting!

Tuesday, July 6, 2021

CHANEL fall couture 2021

WHAT FRESH HELL IS THIS?

So, Virginie, I have some questions for you:

What season were you designing for?


What made you think these clothes reflect almost 100 years of the biggest single brand in the world?


While you were standing next to Karl. Were you in a somnambulistic state?


I would like to know if you think Karl would allow his models to parade down a runway looking unkempt?


A kangaroo pocket dress??


There were maybe 5 beautiful pieces and the rest are filler of absolutely no importance: why would you add a simple tailored suit? Or Marie Antoinette’s bloomers and camisole?

Walmart polar fleece is not CHANEL look so why is it there along side halter summer dresses and a satirical take on Scarlet O’Hara in black and white?


That was your finale. How pathetic. It’s like dropping a nail file during sex!

You should be scared girl, very scared you could be the next boulette de viande.... look it up!

Monday, July 5, 2021

Schiaparelli couture fall 2021

Let’s reiterate here and be reminded that creations of the couture are not about being commercial and in most cases push the envelope as well as afforded by possibly 1% of the female clientele on a worldwide basis. It is extravagant. Sometimes over stated and in many cases incomparable to any other facet of fashion.

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Case in point is Schiaparelli by Daniel Roseberry whose theme was matador this season incorporating the DNA, vocabulary and iconography that once belonged to Elsa Schiaparelli. The embroideries are sublime, there are pieces that are in their own way commercial and then there are pieces that push the envelope to cartoonish especially in the accessory areas and in scale.

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In many ways much of what you see is overstatement... almost to the point of absurd but then again that’s what couture is all about. It’s fantasy, it’s no holds barred but what is missing here is the fact that the eponymous designer did in fact design some exquisite clothes that did not push the envelope to the edge and were in fact simply conceived. A few more “palette cleansers” might has softened the shock of much of it.

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I’m sure Roseberry has developed a cult like clientele who is will to pay in the 5 and 6 figure range to own one of these 21st century iterations of Schiaparelli.