Showing posts with label hermes. Show all posts
Showing posts with label hermes. Show all posts

Saturday, January 22, 2022

Hermès FALL 2022 MENS

Perhaps “every major retailer” won’t be flocking to fill their stores with the latest offerings from Hermès especially because it’s not “collectible (yet doesn’t ever lose its value value)” but is WEARABLE ... if you can afford it!

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Some I’m sure will say the collection is a yawn but I found it to be relaxed true to its DNA and that some of the underpinnings might have been quite “fashionable” and not necessarily a la Hermès... in a good way!

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The collection was knit and outerwear dense with some wonderful sweaters and lots of outerwear for those who actually buy clothes to wear and not stare at or be stared at when wearing. Whether or not you recognize the Swedish army officers coat of the 70s translated into the Hermès vocabulary is inconsequential as those pieces are quite refreshing in a way. The silhouette is relaxed, unpretentious, neat and of course classic and timeless.

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It wouldn’t be Hermès unless there were a few incredible croco pieces and this season did not fail to disappoint... after all which would you want...  a varsity/bomber from Hermès or the same style from Vuitton in red... with or without the bee keeper’s baseball cap that is sure to only increase in value on eBay?

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So, the question is, point blankly, do you want clothes to stare at or to be stared at when wearing or simply clothes to wear!

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Sunday, June 27, 2021

Hermès spring men’s 2022

Even though the term sprezzatura is Italian terminology describing a sort of uncontrived way of men dressing, Veronique Nichanian proves it lives in her heart and certainly shows in her Spring collection for men. With very few missteps and not bending to the absurdity that has been weeping the men’s shows Hermès rises to nearly the top of the hierarchy of men’s fashion standing tall behind Mr. Armani.

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You might say it’s a bit like Cuccinelli or several others who have not fallen into the trend trap but at Hermès you are getting the supplest skins, fabric combinations and wonderful easy knits that have come to be shown this season BUT without a doubt this is collection jacket heaven. I almost forgot to mention she snuck in a print which was refreshing, to say the least, and paying homage to the brand’s DNA.

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I’m not saying I’d mind that epauletted camel suede tunic or a few pairs of those slouchy pants with rope belts or those dip dyed sweaters but jackets take a starring role ...oh did I forget that sueded croco dyed in pale turq, camel or possibly it’s washed denim but I do take offense to those bois de rose color and that one tee shirt that looked literally like some shredded rag.

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Ageless, classic, chic, soigné, unpretentious wearable clothes for men who can afford them and for young men to aspire to... oh the word aspire!

Sunday, January 19, 2020

Hermès FALL MENS 2020


Véronique Nichanian alternately breathes life into this heritage and occasionally knocks the wind out of it but for fall 2020 she invigorates this coveted and heritage brand. LET’S CALL IT WHAT IT IS ... NO ONE is coming to Hermès for the latest and the greatest in fashion; they come to Hermès for the finest of material and workmanship and hopefully a dash of low-key fashion. Might I add that they come for the comfort and confidence in knowing they wear some of fashion’s most expensive yet low key creations.
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Unlike Cuccinelli who essays to be the quintessential low key appearance of sprezzatura fashion as well as the “don’t look at me but I spent $3000 to look so casual,” Hermès can be spotted by discerning eyes by its exquisite workmanship, materials, excecution and in the case of this season a healthy dash of grown up fashion.
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Some beautiful knits, the perfect tie neck shirts, the paneled coats, and jackets, the metallic ciré which you know is lined in cashmere, the spliced necklines and a couple of the slickest sharpest black suits seen on the runways.  The prints are out of the ordinary for the brand but again, they are discreet yet new and one could say directional but Hermès is hardly a brand known for trend addiction.
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Each season tells a different story and there are some where Nichanian crosses the line by trying to make Hermès far more fashion oriented than it needs to be or should be but this season she hit all the right notes for one of the very few stand-alone luxury brands

Saturday, March 2, 2019

Hermès fall 2019


DEAR HEDI .…  you really should have spoken to Nadège Vanhee-Cybulski’s about how to evolve a heritage brand that is known to be conservative, wildly expensive and not meant for mass consumption. 
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Hermès is all about quality and materials and usually has what one might say a low fashion quotient and yet the end result is beautiful timeless elegant clothes for women of discerning taste (all the things that are alien to Hedi). By no means do I think that leather shorts was the answer but there really is such a thing as understatement as well as designing for a clientele, Hedi has no idea about understatement nor discerning taste and at this rate he will never know a clientele.
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What really  got to me was early in the show is a little swirled ruffled collar on a blouse oddly with suede shorts and then I think of the line for line copy of that peter pan ruffle collar than Hedi did for Celine and it  screamed at me that Hedi is indeed a lazy designer. 
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I couldn’t be happier than Hermès is out of range for most in terms of price and pretty much stands alone.

Sunday, July 2, 2017

meet Michael Tonello of respoke



The age of the internet has changed all of our lives in ways we never imagined. A case in point is one Michael Tonello who stumbled upon an, idea, a trend and a fact that had a life altering effect on him and a life all of its own. He did in fact become one of the largest purveyors of all things Hermès; first on eBay and then craftily and entrepreneurially via an assembled preferred customer list that indeed opened doors hitherto... let’s say... locked or unopened and probably in many ways unforeseeable.
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Having just read  his wildly amusing , witty and informative book, Bringing Home the Birkin, insights and observations about Michael cleared my thought processes to the point of fully understanding how and why respoke was born. Amazingly, we share a common friend who played an important role during our respective “reinventions!” What becomes apparent is that there are parts of us that take a leading role in our lives that we cannot suppress no matter the path we have chosen for our lives.
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In the words of the greatest doyenne of fashion, Diana Vreeland “give them what they never knew they wanted” and that’s exactly what this brand achieves!

All that said, respoke is just this amazing idea/concept hatched by 2 friends (I am not one of them) who combined their loves for all things Hermès and possessed a collective creative spirit. Indeed in many ways, if you read the book which I urge you to do, you will come to understand that when one door closes another one does indeed swing open so widely as to be unfathomable in terms of possibilities of what lay behind that door!
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So here in his own words is a founder of respoke who offers his insights on an Hermès life amongst the many adventures that laid behind those unopened doors ….
Jeffrey Felner: Can you give us a brief summary of your career leading up to the present situation?
Michael Tonello: For nearly twenty years I did makeup for photography for the advertising industry. My big clients were TJMaxx, Marshall's, Reebok, Dunkin Donuts, IBM...lots of corporations based in and around Boston. In September of 1999 I moved to Barcelona and later that year I got involved in reselling Hermès scarves ... which eventually lead to reselling Hermès Birkin and Kelly bags. In 2008 I wrote a memoir, Bringing Home the Birkin, which is about all of that Hermès business (the book became a bestseller and is now published in 13 languages).
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JF: How did the concept of respoke become reality? And what drove you to it?
MT: Living in Spain, it's common practice to buy a pair or two of espadrilles every spring and wear them throughout the summer. A couple of years ago I got to thinking how boring, year after year, the espadrilles were … Mostly cotton canvas, solid colors ...the occasional stripe …Yawn. I had thought of covering a pair with a vintage cotton bandana and over the course of a week began expanding on my own idea. An Hermès silk scarf? In the spring of 2015 I reached out to several espadrille workshops in Spain (where the finest espadrilles in the world are made) to see if I could get custom espadrilles made to my specifications. Most of those inquiries went unanswered. About six months later I stumbled upon a workshop in La Rioja (Spain) that understood my vision and was willing to make some prototypes/samples for me. There was considerable back and forth and lots of issues to work through. I was somewhat obsessive and a bit of a perfectionist, but the director of operations understood my vision, my dream. In October of 2016 I received the very first pair of Respoke espadrilles.
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JF: What are your expectations in terms of brand extensions and distribution channels?
MT: I know it sounds cliché but every single pair is unique and a labor of love. The fact is that the entire espadrille is entirely made by hand and hand stitched. Each pair is a process that takes about a month. We have lots of ideas but must go slow. It's great when we have buyers who understand the process (Bergdorf's is a good example) and will work with us. Eventually we will do wedges, mules, and various embellishments. We have some brand extensions in the works for years two and three but want to keep that as a surprise.
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JF: If you could choose any collaboration with any other brand or designer, who or what would it be and why?
MT: I just adore the stuff that Takashi Murakami has done for Louis Vuitton. It's full of whimsy and he has the ability to nail the perfect mix of high-art and commercialism. I'd love for him to design a silk or cotton fabric for us...it would be a great limited edition!  I'd want two pair for myself; one to wear and one to keep as a collector's item.
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JF: You have a very specific target audience so let’s speak to that topic ... why? Do you plan on expanding that base audience … why or why not?
MT: It's a niche product and we're not for everyone. Due to the nature of our components: rare iconic silk scarves and hand craftsmanship, our costs are high and we will always only be able to produce limited quantities. To give you an example, I was recently in Venice Italy and there's a store next to the Gritti Palace Hotel that sells luxury vintage (i.e. $10K Kelly bags and $5K Chanel jackets). They had a mint/pristine 1970's Pucci dressing gown for $1100. I bought the gown and made it into espadrilles. That's it...end of story...we can't make more since there's no way of procuring more of that fabric. Those espadrilles are already collectible.