Tuesday, March 3, 2020

CHANEL fall 2020


Well, it took a year but the mold is broken. Virginie took the brave giant step of not only changing the pacing of the show but she has in a way sort of redirected the brand. 
On one hand it is a bravo and on the other hand it is a sadness.
 
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I think the side snapped leg pants and skirts were a bit overkill as were the hot pants and those buccaneer boots. Much of what we saw was extremely commercial and ... well… generic and that is something that Karl was never accused of. This collection, to me, was all about dissecting it ... pieces ...  tons of pieces… blouses, skirts, jackets and piled on accessories. I even saw a riff of the Lacroix tee shirt that signaled the change in how we see fashion from the cover of Anna’s first issue of Vogue in the USA.
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I can’t say it was a great collection nor can I say it ghastly but there were lots of beautiful pieces although they may not have been assembled as one would have liked. There were a couple of superb real Chanel looking jackets and I even noticed a riff on a Levi jacket to resemble a Chanel jacket or vice versa. 
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Maybe what I’m really trying to say is the collection didn’t translate the excitement which Karl was so famous  for, so either this will be a stroke of genius on Virginie’s part to have parted with the “old way” and struck out on a new path for the revered brand or this will  be an unmitigated flop.
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In an afterthought I realized that a lot of what was missing was the visual DNA of the brand and the fact the brand sort of made this seismic shift from jolie madame to jeune fille in one season…. I guess we shall have to wait to see how this evolves.
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PS… I   do think Karl would have sneered at any of the pieces that came off as trend driven and there were more than one or two of them!

Sunday, March 1, 2020

Schiaparelli fall 2020


Brava! Daniel Roseberry!!!!!
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How refreshing to actually be energized by what one sees from a collection such as Schiaparelli. Roseberry riffed on the namesake’s oeuvre without leaning heavily on the outrageousness of it or the exact duplication of it but by utilizing her signatures in a way that not each look is a grand gesture and nod to her.
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The first thing that struck me was that the model is incredibly reminiscent of Millicent Rogers (Google her) which to me was brilliant as she was certainly a trendsetter and fashion icon of an era. Roseberry made full use of the Schiaparelli iconography and yet turned out a collection that just definitely has his imprimatur combined with the Schiaparelli esthetic in a way that is so appealing and distinctive.
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 Respecting a heritage brand’s DNA is something that I, personally feel very strongly about and Roseberry has achieved this with great élan and imagination. There is something very slick about the collection, something very retro about the collection and something very modern about the collection all within keeping with the aura of Elsa Schiaparelli.
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 I’m not going to drone on and on about how he did it and it not just because of the Dali-esque sunglasses, so here you can see it and decide for yourself the method to his madness, so to speak.

Thom Browne fall 2020


Anyone who really knows me understands that fashion is one of the few things that still races my motor. As I wrote yesterday, I don’t see myself as a fashion intellect nor do I pretend to like what I don’t understand but in the case of Thom Browne I am inexplicably mesmerized by what he does.
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Do I get it?  Nah, not even close and actually nor do I care to but what I do know is that this man in his twisted, witty and demented way is just brilliant when it comes to the art and craft of fashion and I’m not just speaking about what you see:  it’s about how it happens…  the manufacture of it, the incredible fabrications, the construction, patterns, in this case, the most limited of palettes to create a jaw-dropping display of talent.
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I’m sure there will be write-ups about gender blurring and god knows what else but hell…. Look at these clothes….do I have a clue who wears them ... nope! My best guess is that there is a cult of Thom Browne devotées who either wear them or just collect them. As for the inspirational crap … who cares? …   this is unquestionably when fashion crosses the line into artistry.
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He is a brilliant showman and when I look at this and look at the trash that Balenciaga is turning out just for attention and there is no contest. We worry about the Russians invading our voting process and yet the Russians have almost destroyed the fashion business by upending it and turning it into a sideshow of freaks from a gulag.
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So, I don’t know what you call this ... it’s not exactly a review ... maybe it’s a rant ... maybe it’s a vent but whatever it is, I wanted to make a point of putting it out there… like it? ... fine!   Don’t like it?  Fine!  Truth be told it doesn’t much matter to me.
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At the risk of blowing my own horn but after almost 50 years of being in this business, I have forgotten more than most know about it!
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PS… if anyone would like to buy me a gift the pancaked man scarf is my favorite!