Showing posts with label John galliano. Show all posts
Showing posts with label John galliano. Show all posts

Wednesday, October 13, 2021

ROBERT FAIRER, McQUEEN UNSEEN, JOHN GALLIANO UNSEEN, MARC JACOBS UNSEEN .SCAD MUSEUM

 I cannot be more thrilled than  to say that I played  some small part in bringing  this exhibit to life, I am humbled by the friendships of the entire Fairer Family and to Raf Gomes of SCAD who believed in my ideas and made it happen! thank you to Rosemary Feitlberg for this wonderful interview...

PLEASE CLICK THE LINK AND READ ALL ABOUT THIS ONCE IN A LIFETIME SHOW..... Backstage Fashion Photographer Robert Fairer Shares Backstage Stories – WWD

Thursday, January 7, 2021

Peter Lindbergh

Peter Lindbergh #wakinguptofashion #photographer #image #fashion #style #icons #hautecouture #johngalliano #whendiorrocked #thefallingleaves #1997 #editorial #vogue #1000words #brilliance #debrashaw #kiarakabukuru #millinery #details #collars #twobytwo #drama #statement #holdstill #click 

Monday, December 18, 2017

THE 10 BEST READS OF 2017



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This reader/reviewer was slack jawed when realizing the lasting influence that this designer/brand had on future generations as well as the foundation that was built for the art of haute couture. You might take notice that Worth influenced everyone from Jacques Fath, Charles James, Christian Lacroix, Giambattista Valli, and Christian Dior, as well as John Galliano’s oeuvre for Dior; frankly it’s an extraordinary accomplishment and legacy that few ever allude to.

All About Yves
All About Yves contains little that is new but with this unbelievably unique presentation, Örmen has unearthed a treasure trove of memorabilia that has only been previously written of but never seen in book form. The monograph was first released in France last year and now its translation appears here in the USA at a time that seems propitious given the very recent openings of the YSL museums in both Paris and Marrakech.

Fashion Together: Fashion's Most Extraordinary Duos on the Art of Collaboration, Trust, and Love
Fashion Together is a collage of 18 redacted interviews between Stoppard and her subjects. The primary or main topic is about the dynamics of working together as a team while involved in some creative process having to do with the world of fashion. What is most stunning in many ways is that the conversations range from intimate to vapid to enlightening to cases of TMI.

Unquestionably Robert Fairer has delivered a gift, a paean, and a love letter to every fashion aficionado, the business of fashion, as well as to any fashion reader no matter their level of fashion education. This uniquely gifted visionary with exquisite talents has taken it upon himself to jolt our fashion consciousness and literally shout at us that John Galliano is undeniably one of the greatest designers of our generation.

Chaumet: Parisian Jeweler Since 1780
Be prepared to be dazzled by their work in pearls, cameos, and exotic materials that boggles the mind; who knew this was the favored jeweler of Napoleon and Josephine? Who knew that they centuries ago they collaborated with Breguet to produce timepieces? Who knew that there was such a thing as a “watch” that told time and a separate one to tell the day of the week? The book is full of bits and pieces of ephemera that will feed the most hungry and inquisitive of minds.

Dior: The Collections, 1947–2017 (Catwalk)
Alexander Fury has perhaps written one of the most insightful, intelligent, eloquent and detailed appraisals and assessments of all that was Dior haute couture—each designer, each collection, and each era. The introduction and text are head and shoulders above any before, especially when dealing with a singular brand or designer. What is confounding is that regardless of the superlative content and style with which it is written, there is nothing to prepare you for the visual and informational onslaught that lies within this epic 632-page tome.

Balenciaga: Shaping Fashion
Balenciaga: Shaping Fashion is a crash course in all things Cristobal Balenciaga but in a highly curatorial way. For the very well fashion educated reader there may not be a lot that is new, but Miller is so all encompassing and thorough that the book is remains a must read. For the less informed reader the book will give them everything they might ever need to know about this consummate creator and designer.

House Style: Five Centuries of Fashion at Chatsworth, Home to the Devonshires
One is given a rare glimpse into their sartorial choices, their impossibly luxurious living conditions as well as heirlooms, treasures and remembrances. The complex fabric of the Devonshire clan including friends, relatives, and preferences when it came to designers and where to shop, what to buy and what purpose they served is all laid out within.

Dior by Christian Dior
Saillard, who is an amazingly skilled and well-spoken historian and author, offers us just enough text to remind the reader of the history and the man and the genesis of the brand, but what happens outside the text is simply beyond one’s wildest expectations. The reader is transported to an exquisitely curated view of the Dior archive that will surely be a revelation to most. This reader came away with a new set of opinions and perspectives.

Italian Jewelry of the 20th Century
The narrative is encyclopedic in content yet enormously interesting and engrossing. If the prospective reader has more than just a passing interest in the finest of jewelry, this book will certainly satisfy or a fill a void that has been missing in the annals of jewelry makers and their histories.

FOR FULL REVIEWS PLEASE CLICK THIS LINK ….  https://www.nyjournalofbooks.com/reviewer/jeffrey-felner

Wednesday, March 2, 2016

Maison Margiela PFW fall 2016



And so today begins the seasonal fawning ala Parisienne with the first of the so called block buster shows…  Maison Margiela. Many in fashion suffer from this nostalgic idea that Galliano is a victim and he has suffered beyond what he should have but alas he now transmits his pain by passing it on to us in the form of Maison Margiela. Yeah yeah I know I’m gonna take some flak over it but it’s about time to say he has either lost it or needs to move on cause this aint the solution.

 
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Take away all the tricky styling and piling on everything imaginable and what do you have there? To me it sure reminds me of Vivienne Westwood or some drug induced frenzy of a nightmare. The absolute wizardry and magic that he had achieved at Dior has left the building and to constantly try to say it hasn’t is really just plain heresy to both designer and Dior. Can you honestly say that anyone needs John Galliano for another military coat or a blazer? Do you believe that Dior and Galliano were a once in a lifetime moment that will never be repeated? Or is Maison Margiela just a reflection of the chaotic times in fashion and the world where not only is there no trend is the trend but that no trend also means just plain fugly being passed off as the next wave.


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Instead of addressing all the peripheral crap like venue and front rows and bullshit inspirations, why doesn’t anyone talk about where you will wear these clothes and that the clothes are extravagantly expensive and for the most part is nothing more than a spectator sport? Yes, the world has changed and none of us dress as we used to except for most of the millennials who know no better and think they actually know about fashion when in fact their fashion background is H&M and what happened 30 minutes ago…. But I digress…


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Back to Margiela which when broken down is a pile of who cares and as said before just a lot of stuff piled on to the point of what she couldn’t wear she carried. No matter the “inspirations” and press release crap, who is wearing off the shoulder organza ruffles emanating from a coat... yeah really! Who? Hasn’t the time come to speak up and say this has absolutely nothing to do with reality, nothing to do with anyone’s lifestyle and  even less to do with that little thing called good taste.

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Hasn’t the time come for those who have a voice to actually speak the truth… and not spin fairy tales about the emperor’s new clothes? Is it any wonder that print has died , when these days even the so called 5 pages editorials that inhabit what were once fashion magazines, all feature the same pieces all with the “price upon request” tag line. Is it any wonder that the retail business is in the doldrums when there is nothing to sell to those who still have any taste and any degree of sanity?


Case in point... Maison Margiela


PS .. what’s with the aprons and the Hedi jewel encrusted bomber??